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You can also write totally new user­programmable effects algorithms by linking over 130 different internal modular effects together. Inside the DSP 4000, there are dozens of audio environments to choose from with hundreds of built in user friendly presets from ghostly voices, tape slowdown, to vocal doublers, compression and more. It has 2 XLR Ins/Outs, AES In/Out, SPDIF, and Midi In/Out. The DSP 4000 is either a dual mono or single stereo channel unit. In the late 90’s, the DSP 4000 was introduced as an upgrade to the powerful H3000.

Eventually, the H3000 series was released, becoming the industry standard due to the massive range of uses it possessed all at a 16­bit res, 44.1kHz sampling rate capturing a frequency response of 5Hz to 20kHz. The timeline of the Ultra­Harmonizer originally dates back to 1975 when Eventide first released the H910 which became a studio standard for its unique pitch & delay processing & effects. From processing vocals & instruments to radical sound manipulation and design, the DSP 4000 has been a staple in the recording & post industry since the mid nineties. Up to 4 voices of diatonic pitch shifting and up to 1.One of our favorite external effects processors in the studio, and we’re sure many other engineers in the industry could agree, is the Eventide Ultra Harmonizer DSP 4000.10 of Eventide’s signature stereo or mono pitch+delay effects:.Plays well with others adapts seamlessly with a wide variety of amps and other foot pedals.Įasy to upgrade download new software from the Internet and install via USB. Supports instrument or line level inputs and outputs. Control program changes and vary parameters continuously via MIDI. Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. PitchFactor includes Eventide's best pitch-changing effects from the past 36 years without compromising quality OR flexibility. Top recording studios worldwide use Eventide effects on hit after hit.